This past weekend was a pretty spectacular one. I was supposed to go to Tokyo, but with that pushed off to later (later today actually), I was free to take care of some other business at hand. Which was actually the reason I was able to cause trouble at the club event last Friday night. Anyway, first, my Sendai mom Teruko took me out for Saturday night dinner at a nice new shabu-shabu joint that was built in the underground restaurant garden underneath S-Pal (a department store in front of Sendai Station). It was pretty fancy and delicious shabu-shabu with incredible side dishes. Thanks Teru-chan.
Sunday night was my first owakare-party (going-away party), this time thrown by the closest members of WHO, my recently oft-mentioned dance circle: Lupan (whose real name is Hidetoshi), Lin, Ma-cchan, Hide, Yakou, Ono-kun, and Korosuke (whose real name is Aiko). It was a shouchuu party (which is distilled rice liquor) and man did we drink a lot of shouchuu. The best part was that they had gifts for me - which I somehow didn't expect because I've only been in the club a little over 2 months. Koro and Ono (who, again, are dating) bought me flowers and a card (which they had everyone sign), Hide made me a copy of the "You've Got Served" DVD, and Lupan, who is probably my best friend in the club, got me a traditional Japanese pipe just because it's cool. Not sure what I'm going to use it for, but it's really sophisticated looking. And apparently people don't really own them in Japan anymore, so it's kind of a cool thing to own (but then, really, how many people in the U.S. actually carry pipes anymore? Except for potheads).
So yeah, that night I came back home and watched "You've Got Served" immediately. Remember how I made fun of it only one entry ago? Well, I now eat my words: it is an awesome movie. The story is cliched and badly acted, with moments of unintentional comedy. But it's actually slightly better than would be expected. Unfortunately, it expectedly involves the typical black ghetto youth movie stereotypes: if there is any free time, it is spent playing basketball, a kid gets beat up while delivering something (that is never specified as drugs of course; let's keep this clean), a kid gets shot-up and killed, there are no fathers, but there is a wise grandmother figure. And the wise grandmother is SO stereotypical "wise black grandma" that it is grating. There are moments when these elements feel like "reality" but most of the time it just feels like a way to move the plot around so people can dance more. Thankfully, the movie also includes pompous, rich white kids from Orange Country who come to LA to push around the poor black kids. As if Orange County doesn't have a bad enough rep already, we need a movie that creates a patently ridiculous fantasy in which white kids can cause trouble in rough black neighborhoods in LA and not get killed? What is that?
Wow, did I just really spend a paragraph writing about the plot of this movie? Does anyone give a shit about that part? No, of course not. I am tempted to erase that paragraph because this movie is about the unbelievable, inhuman dancing. And there is a lot of it. It even has that one guy featured in that video floating around the net where at that battle in LA that had mostly Asian kids, this dorky white guy walks on stage and proceeds to do a style of robot dancing where he looks like he's made of rubber. But most of the unbelievable shit comes from the break-dancers: they fly around like they have wires attached to them, and this one guy even does a backhand spring. "But that's easy!" you say? Well, instead of springing off his hands, he uses his head. HIS HEAD. Explain to me how this doesn't kill him. For anyone disappointed in me for gushing about this obviously awful movie, I apologize. It's just that my 102 temperature seems to indicate a bad case of dance fever (jazz hands!).
Ahem*. A small observation: the one song I called decent on the new Weezer album, Perfect Situation, sounds exactly like the best song on the Green album, Simple Pages, for about the first 10 seconds or so. I mean EXACTLY. The powerchords are exactly the same, the beginning of the lead riff is the same, the drum part is the same, and the tempo is even almost exactly the same. Luckily, the songs depart from each other thereafter. And you thought Beverly Hills sounded a lot like a bad version of The Sweater Song.
Today, I helped Take and Macchan from WHO translate a chapter of a finance textbook from English to Japanese, which is some kind of ridiculous Finance assignment. Apparently, English exercises of this kind are made compulsory by the Ministry of Education. Anyway, it took forever because (1) who knows how to say stuff like "strike price" and "cost of Equity" in Japanese? I sure didn't! Who knows how to explain European Call Options in understandable Japanese? I sure can't! and (2) I often say Japanese and English grammar are the exact opposite, but that's misleading. If they were the exact opposite, you could just pick up at the end of the sentence and work backward. But they are just opposite enough and just similar enough in the right ways to make translating a pain in the ass. You have to pick up the subject from the beginning, then the object modifiers from the end and then work backward to the object and then put in the verb... it takes a long time. I have even more respect for live translators (is that what doujitsuuyaku is called in english?) now than I did before.
Oh yeah, and for nostalgia's sake, I looked back on some of the entries from the first half of the nine months this blog has been running, and let me apologize - it used to be more interesting and written in much better English.
I'm finally going to Tokyo today for the big reunion. More news upon my return.